Devotion (Bhakti)
Filed Under Art and Culture, Asana, Pranayama, and Yoga Practice, Community and Family, Food for the Mind (Yoga Philosophy, etc), Meditation, Photos | Leave a Comment
Much is said about devotion in yoga, and there is a great privileging by many of the path of devotion — bhakti. With no clear answers, I contemplate often what it means to practice bhakti, to be devoted in a religious or spiritual sense. Witnessing those on pilgrimage when I was in India (it was “pilgrimage season”), I was flooded with memories and ideas for contemplation about what it means to be devoted and how people express devotion.
Among the thoughts and memories were having observed the operaphiles in their expensive clothes swoon and gasp and applaud at the Vienna Opera House on the opera level where I had paid a dollar for standing room; having been literally swept off of my feet in the press of the crowds heading to the tube at Wembley Stadium after seeing the Rolling Stones in concert; watching the people do the standing wave thing at ball games while hollering for their team as if their whole view of the world was dependent on who wins; having taken, standing room only, the third class train from Florence to Rome during Easter week (a different pilgrimage season), on asking who is that woman on the billboards, discovering that India, too, has a habit of electing movie stars to political office.
What Do You See?
Filed Under Asana, Pranayama, and Yoga Practice, Food for the Mind (Yoga Philosophy, etc), Meditation, Photos | Leave a Comment
What do you see when you walk down the street or into a room? Do you see more or less depending on whether the surroundings are new to you or familiar? John Friend has said that when leading a class teachers need to be able simultaneously to see the whole room (and how everything and the students are in relationship to each other in the room), each student as a part of the whole and as a whole person, and the individual alignment of each student.
What it takes to do this is the ability to be completely soft, spacious, and open in our seeing (“open to grace”) and also well enough educated and experienced to appreciate and understand the details. I think that when we can see both the big picture and the details simultaneously, we have the greatest opportunity to experience the most of life, are more likely to be able to look for the good, and to make the most positive changes.
“In, Back, and Apart”
Filed Under Asana, Pranayama, and Yoga Practice, Food for the Mind (Yoga Philosophy, etc), Meditation | Leave a Comment
As I was preparing my week’s classes, I was led to contemplate the off-the-mat import of the words — “in, back, and apart” — used to describe the actions that activate the Anusara alignment principle “inner spiral,” which is also referred to as “expanding spiral.”
The meaning and point of “yoga,” we are told is union. In the Anusara system, inner or expanding spiral is a critical element of the “universal principles of alignment,” which are designed to get us physically and energetically into our optimal blue-print.
How can going in, back, and apart be what would create an expansion that would enable us to better experience our whole selves and all beings as spirit and in unity? Doesn’t that sound entirely backwards?
Going “in” is one of the key aspects of yoga practice. If we only look out, we can get caught up is grasping and longing, which causes great suffering. Although we need also to appreciate the outside, going in, especially by means of meditation. Going in is what enables us to discover our only true freedom, which is the freedom to choose how we react internally to whatever is going on outside of ourselves.
Moving back in yoga is not the same as backing off or away or turning one’s back on things, which would move us away from connection. Rather, when we move our awareness to the back body or open to what is all around us and not just what is forward-looking, we can soften and open to the unknown and to the unseen, allowing the subtle energies to move and guide us to deeper insight as to what connects and unifies.
Moving apart in inner spiral literally is the expansive component of the action. Moving apart is not becoming more separate, but making space (spaciousness) where there was binding, allowing for more freedom to experience all that is possible. It is also about breaking apart from our preconceived notions of being limited and different.
Moving in, back, and apart does not just realign the legs so that we can heal our pelvis and low backs and radically expand our flexibility even as our bodies age (as if that weren’t good enough). Energetically, it can revolve our whole way of connecting to ourselves and the world.
Peace and light, E — Posted with WordPress for BlackBerry.
“Far Too Many Words”
Filed Under Art and Culture, Food for the Mind (Yoga Philosophy, etc) | Leave a Comment
Professor Douglas Brooks on language and the India pilgrimage. I have just finished leading the group house practice and need to meditate before going to bed, so I do not have time to write more, but I wanted to draw your attention to this blog for your own contemplations about language and practice. I am grateful to have had the opportunity to join in part of the conversation and look forward to going ever deeper.
After the Exhileration, Work
Filed Under Art and Culture, Asana, Pranayama, and Yoga Practice, Community and Family, Food for the Mind (Yoga Philosophy, etc), Meditation, Photos | Leave a Comment
We all (or at least most of those who would be reading this blog) have heard the Buddhist-inspired saying: before enlightenment, the laundry. After enlightenment, the laundry. The question is whether after the moments of enlightenment can we infuse doing the laundry with more joy, acceptance, and peace. A young adult acquaintance asked me the other day whether I was readjusting ok. I did not know to what he was referring, and he had to explain that he was asking how I was doing on my return from my India trip. “It was just a vacation–albeit an extraordinary one,” I replied. “Life continues.”
“The good experiences just slip away like dry sand through my fingers,” he made a motion of letting something slip away.
“When you practice and when you get older, it will be easier to bring the temporary, good experiences into your life without feeling they are lost when you have moved onto the next thing,” I said with hope that would actually be true for him, he seemed so bereft.
The yoga teaches us neither to be out searching for the highs nor actively avoiding the lows; the dance of grasping and avoiding is what makes us suffer. That does not mean that the highs, the times of wild abandoned joy, the experiences of utter fulfillment, of exquisite understanding are of no value. What brings joy is a thing of wonder and an opportunity to deepen our ability to love and be generous. They are only a problem if we ruin our time by vainly clinging to or trying to repeat the sensation. As our practice (and our understanding of a life well-lived and loved) matures, we understand that there is no readjusting in the return to the day to day. We welcome what we have had, try to remember what we have learned, including how much joy and delight we are able to drink in, and approach each day as another opportunity to seek and share connection.
“Culture Wars” (and Mayiya-Mala)
Filed Under Art and Culture, Community and Family, Food for the Mind (Yoga Philosophy, etc) | Leave a Comment
When I saw this headline the other day, the first thought that came to mind was how much pleasanter life would be if those spending huge amounts of effort and money to “fight” gay marriage would pour that energy into educating children, tending gardens, and being friendly with their neighbors. The next thought, which was not unrelated, was that the headline was a prime example of how the action of mayiya mala serves to alienate us and cause unnecessary rancor.
The three malas or cloakings, in tantric philosophy, are aspects of consciousness that prevent us from recognizing the unifying spirit in all beings. We tend to hear a fair amount in yoga class about the first of these –anava mala, which clouds or covers over our recognition of the divine in ourselves, thus leading to feelings of unworthiness–but there is less focus on the other two (the third is karma mala, which is the illusion that we are doing everything all by ourselves–that’s an oversimplification. Perhaps more another time).
At an elemental level, mayiya mala is the distinction between subject and object that leads us to feel separate from other beings. When this separateness makes us feel threatened or needy, then we can behave very badly indeed (mild understatement). I believe that our superficial requirements of outer sameness–think dress codes or neighborhood rules on what one can plant in one’s front yard–are exactly because we fear difference. If we can instead accept difference as part of the play of what actually connects us (see through mayiya mala, then we can more easily love and embrace others and widest variety of creative expression.
On our mats, one of the things that leads to injury is mayiya mala. When we forget that we the purpose of the practice is to seek the peaceful joyous space within ourselves and instead get competitive or acquisitive about postures (or external emblems of “spiritual advancement”), we are getting caught up in the differences and comparisons generated by mayiya mala and get compelled to push and strive in unhealthy and dangerous ways. When we remember the true purpose of practice, we will seek to expand, but with such sensitivity that we do not hurt ourselves. This, of course, is easier said than done.
Peace and light, E — Posted with WordPress for BlackBerry.
“This Is Soul Kirtan”
Filed Under Art and Culture, Asana, Pranayama, and Yoga Practice, Community and Family, Food for the Mind (Yoga Philosophy, etc) | Leave a Comment
One of the ways I prepare for a restorative workshop is to spend some time looking for new music to play quietly in the background to enhance the fullness of the experience. In the past couple of days, I have enjoyed listening to quite a quantity of new and new to me music appropriate for my upcoming Finding the Warmth Inside: Relax Into Optimal Alignment with Anusara Restoratives on February 25th at Willow Street Yoga Center (click on the link for details and to register). Among the music I downloaded, which I am thoroughly enjoying (though it might be too upbeat for the restorative workshop playlist), is C.C. White’s “This is Soul Kirtan.”
As I was listening at my desk and swaying to the beat, I thought about the non-dual tantric philosophical principle that exhorts us to find the good in everything, to recognize that in all there is still a “divine” spark that is expressed in the creative effulgence of the universe itself. The music is joyous, delightful, offered with love, delivered with a high degree of professionalism–both the musical performance and the recording and presentation. I tried to fathom just how many centuries of human migration, suffering, oppression, bigotry, and then fighting for tolerance, education, equal rights, spirit, and freedom had to occur for this music to be able to exist at all and to be published and embraced, it being an extravagant blend of Indian spiritual/religious practice, American soul and blues (and all its history), and classical Western musical technique.
How True, Gertrude
Filed Under Art and Culture, Food for the Mind (Yoga Philosophy, etc) | Leave a Comment
Gertrude Stein quote on wall at exhibit at the National Portrait Gallery.
Peace and light, E — Posted with WordPress for BlackBerry.
Hare Om Ganesha Revisited
Filed Under Art and Culture, Asana, Pranayama, and Yoga Practice, Food for the Mind (Yoga Philosophy, etc) | Leave a Comment
I bought in India this sweet image of ganesha. When I came home, I had the treat of going shopping for here and looking though dozens of strands of beads until I found just the right ones to complement the colors in the painting and the energy of the image. The brown and green tones of chunky turquoise felt just right. In creating the necklace, I took the time to see how the individual stones related to each other both in shape and color. Just as taking time to get in alignment can enable us to create beauty out of challenge, so to, taking the time to arrange the stones makes the difference between something merely strung together and an artistic creation.
“Seriously”
Filed Under Art and Culture, Asana, Pranayama, and Yoga Practice, Community and Family, Dance/Contact Imporovisation, Food for the Mind (Yoga Philosophy, etc), Miscellaneous (blog matters, etc) | Leave a Comment
A friend from the DC Sunday contact improv jam (one of my favorite places to play) sent this link showing a clip from a documentary in progress about the importance of play to our health. One of the things that I love most about Anusara yoga is that John Friend has always described its practice as being “seriously playful.” I was born serious nature and have worked hard in my adulthood to learn to play spontaneously, and what is being offered here resonates for me.
This is a long clip, but well worth the time. Anusara yogis, notice how familiar some of it sounds. Enjoy!
keep looking »